A
-
Adolph Appia
Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
-
Aerophones
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
-
Alexander Technique
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
-
Antonin Artaud
Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
-
Arthur Miller
"Semiotics of dramatic characters name in the plays
Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
-
Avesta
THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
B
-
Breathing Mechanism
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
C
-
Characterization
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Chardin
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
Child
The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
-
Children
Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
-
Cinema
Environmental Design and Space Design Management in Animation,
Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
-
Cinema
Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
-
Comedy
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Commedia dell'arte
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Comparative Study
Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
-
Concomitant
A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
-
Cultural Environment
Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
D
-
Darkness
Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
-
David Lynch
Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
-
Death of a Salesman
"Semiotics of dramatic characters name in the plays
Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
-
Decoupage
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Dialectic Method
The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
-
Draxt ? ?s?r?g
Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
-
Dynamic Interactive teaching
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
E
-
Educate
The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
-
Education
Environmental Design and Space Design Management in Animation,
Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
-
Ethnic Musicology.
Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
-
Extempore embellishments
A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
F
-
Film
ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
-
Free radical space
THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
G
-
G?s?n
Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
H
-
Hamoon
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Hegel
The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
-
Hieros Gamos
Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
-
Historical performance practice
A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
I
-
Ibsen
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
-
Ideology
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Individualistic
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
-
Intellectual
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Iranian Kurdish Ethnic
Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
-
Iranian Theatre
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
K
-
Kaempfer
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
L
-
Light
Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
-
Logic
The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
-
Logical Idea
The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
M
-
Melodic ?q??
An analysis and definition of "?q?? " and "Vazn" (meter) with an observation of the treatises of the 3rd to 9th AH centuries [Volume 2, Issue 39, 2011, Pages 55-60]
-
Middle Class
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Mime
Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
-
Mimesis
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Mise-en-scene
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Montage
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Multimedia Art
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
-
Music
The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
-
Music
A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
-
Music
ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
-
Musical Instruments
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
Music Instruments
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
N
-
Narrative
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Natural fibers
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
-
New Comedy
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Ney
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
-
Nietzsche
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
O
-
Odessa Steps Sequence
ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
-
Old Comedy
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Organology
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
P
-
Payw?zag Guftan
Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
-
Performing Methods
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
-
Persian Mythology
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
-
Pierce
"Semiotics of dramatic characters name in the plays
Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
-
Playing Ney
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
-
Poem
A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
-
Polymeric Composites
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
Q
-
Qina
A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
R
-
Realism
Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
-
Realistic Characters
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
-
Realistic Theatre
Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
-
Reality
Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
-
Review and Analytic
Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
-
Rhythm
ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
-
Rig Veda
THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
-
Roman Comedy
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Romantic Art
The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
S
-
Safavid period
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
Screenwriting
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Second Signification
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Semiotics
"Semiotics of dramatic characters name in the plays
Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
-
ShabihKhani
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Shahnameh
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Shia
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Sonority of Ney
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
-
Space Design Management
Environmental Design and Space Design Management in Animation,
Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
-
Storyboard
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Storytelling with Picture (Pardeh-khani)
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
-
STYLIZED
Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
-
Symbolic Characters
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
-
Synthetic fibers
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
T
-
Taqulid
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Tashabboh
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Ta'zieh
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Telemann
A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
-
Theater Cruelty
Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
-
Traditional Theatre
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
-
Travel Account
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
TV audience
On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]
-
TV production
On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]
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